MovieMaker Magazine is the nation’s leading magazine on the art and business of making movies and the most widely-read magazine on independent film in the world.

Founded in 1993 as a small regional publication in the Pacific Northwest, the magazine currently enjoys an international bimonthly distribution of 54,000, a readership of more than 160,000 and a direct subscribership of more than 14,000 and growing.

MovieMaker’s award-winning Website, http://www.MovieMaker.com, has been called “one of the most popular movie sites on the World Wide Web.” The site receives more than 1 million visitors per year. MM’s Hands-on Pages, our companion online newsletter, is e-mailed to more than 300,000 subscribers every month.

MovieMaker’s core readership is comprised of all levels of working moviemakers; editorial content satisfies this constituency by reporting from the independent, digital and studio sectors. Feature article topics include moviemaking techniques and “how to,” trends, technology and new product updates.

MovieMaker magazine has wide cross-over appeal as well, and enjoys a loyal special-interest consumer readership. Content is directed at the audience as well as the artist through intelligent discussion of quality contemporary independent and studio films and classic cinema.

The mix of criticism, behind-the-scenes accounts of the business of moviemaking and in-depth interviews with the world’s leading actors, directors, cinematographers, producers, screenwriters and editors make MovieMaker a perennial favorite.

Read MovieMaker Magazine, Summer 2008 Online

Issue #76 [Summer 2008, MovieMaker]

Ben Stiller's Days of Thunder
By Timothy Rhys
Best-known as one of Hollywood's most bankable funnymen, Ben Stiller has always been more interested in what's going on behind the camera. His upcoming slate of films, including Tropic Thunder, which he produced, directed and stars in, is proof positive.

Isabel Coixet’s Cinematic Poem
By Jennifer Straus
A director best known for her strong female leads wouldn't be the first choice to adapt a novel from one of today's most misogynistic novelists. But Elegy, Isabel Coixet's adaptation of Philip Roth's The Dying Animal, just may surprise you.

Is Horror Dead?
By Christian Toto
Freddy, Jason and Leatherface have packed it up—and horror legends like George Romero are having a tough time at the box office. What does the future hold for the horror genre?

Boy A Star Andrew Garfield Isn't Afraid to Be Picky
By Andrew Gnerre
Andrew Garfield’s brief but impressive filmography thus far is no accident; the young actor is nothing if not selective. “I know I’d be really miserable if I was working on something that I didn’t believe in,” says Garfield, 24, whose first four feature film roles are each enviable in their own way.

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