Villette is a novel by Charlotte Brontë, published in 1853. After an unspecified family disaster, protagonist Lucy Snowe travels to the fictional city of Villette to teach at an all-girls school where she is unwillingly pulled into both adventure and romance. The novel is celebrated not so much for its plot as its acute tracing of Lucy’s psychology, particularly Brontë’s use of Gothic doubling to represent externally what her protagonist is suffering internally.

Biographical background

In 1842 Brontë traveled to Brussels, Belgium with her sister Emily, where they enrolled in a pensionnat (boarding school) run by M. and Mme. Constantin Héger. In return for board and tuition, Charlotte taught English and Emily taught music. Their time at the pensionnat was cut short when Elizabeth Branwell, their aunt who had joined the family after the death of their mother to look after the children, died of internal obstruction in October 1842. Charlotte returned alone to Brussels in January 1843 to take up a teaching post at the pensionnat. Her second stay at the pensionnat was not a happy one; she became lonely, homesick, and fell in love with M. Héger. She finally returned to her family’s rectory at Haworth in January 1844.

Brontë drew on this source material for her first, unsuccessful novel The Professor. After several publishers rejected this early work, Brontë reworked the material as a basis for Villette. In particular, most literary historians believe the character of M. Paul Emanuel to be closely based on M. Héger.

Plot summary

In the ensuing years, an unspecified family tragedy forces Lucy into action, causing her to seek employment, and at age 23 she boards a ship for "Labassecour" (French for 'farmyard' and based on Belgium) despite not speaking a word of French on a hope that maybe she may find something in a new place. After arriving in the capital city of Villette, Lucy finds work as a teacher at Mme. Beck's boarding school for girls (which can be seen as a literary representation of the Hégers' Brussels pensionnat), and thrives despite Mme. Beck's constant surveillance of the students and staff.

Dr. John, a handsome English doctor, frequently visits the school because of his love for the heartless coquette Ginevra. In one of Villette’s infamous plot twists, Dr. John is later revealed to be Graham Bretton, a fact that Lucy has known but deliberately concealed from the reader. After Dr. John discovers Ginevra's unworthiness, his brotherly instincts turn his attention to Lucy, and they become close friends which she values very highly despite her usual emotional reserve.

We meet "Polly" again at this point (although her father has come into the title de Bassompierre which makes her now Paulina Home de Bassompierre) when Dr. Bretton saves her from being trodden upon at the theater one night. They soon discover that they know each other and renew their friendship, which quickly blossoms into something more. The two fall in love and eventually marry, which Lucy has long seen coming, and she understands without sharing their facile happiness.

At the same time, Lucy has the first of several encounters with a shadowy nun in the attic who may be the ghost of a nun buried alive on the grounds for breaking her vows of chastity; in a highly symbolic scene, she finally finds the nun's habit in her bed and destroys it. She later discovers it to be the disguise of Ginevra's amour, de Hamal.

Lucy finds herself becoming closer to a colleague, the autocratic, fiery schoolmaster M. Paul Emanuel; the two eventually fall in love. However, a group of conspiring antagonists, including Mme. Beck, the priest Père Silas, and the relatives of M. Paul's long-dead fiancée, struggle to keep the two apart, and finally succeed in forcing M. Paul's departure for the West Indies to oversee his plantation there. He nonetheless declares his love for Lucy before his departure, and arranges for her to live independently as the headmistress of her own day school or externat, which she later expands into a pensionnat. Villette’s final pages are ambiguous; though Lucy says that she wants to leave the reader free to imagine a happy ending, she hints strongly that M. Paul's ship was destroyed by a storm on his return from the West Indies, killing him. She claims, for example, that "the three happiest years of [her] life" were those before M. Paul's return journey, which would suggest that he did indeed fall victim to the "destroying angel of tempest". Brontë described the ambiguity in the ending as a "little puzzle".

Charlotte Brontë (pronounced /ˈbrɒnti/) (April 21, 1816 – March 31, 1855) was a British novelist, the eldest of the three famous Brontë sisters whose novels have become standards of English literature. Charlotte Brontë is best known for Jane Eyre, one of the most famous of British novels.

(From wikipedia, the free encyclopedia)

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Villette by Charlotte Brontë, the Pennsylvania State University, Electronic Classics Series, Jim Manis, Faculty Editor, Hazleton, PA 18202-1291 is a Portable Document File produced as part of an ongoing student publication project to bring classical works of literature, in English, to free and easy access of those wishing to make use of them.

Cover Design: Jim Manis; image courtesy of Wikimedia Commons
Copyright © 2007 The Pennsylvania State University

CHAPTER I
Bretton

MY GODMOTHER LIVED in a handsome house in the clean and ancient town of Bretton. Her husband’s family had been residents there for generations, and bore, indeed, the name of their birthplace— Bretton of Bretton: whether by coincidence, or because some remote ancestor had been a personage of sufficient importance to leave his name to his neighbourhood, I know not.

When I was a girl I went to Bretton about twice a year, and well I liked the visit. The house and its inmates specially suited me. The large peaceful rooms, the well-arranged furniture, the clear wide windows, the balcony outside, looking down on a fine antique street, where Sundays and holidays seemed always to abide—so quiet was its atmosphere, so clean its pavement—these things pleased me well. One child in a household of grown people is usually made very much of, and in a quiet way I was a good deal taken notice of by Mrs. Bretton, who had been left a widow, with one son, before I knew her; her husband, a physician, having died while she was yet a young and handsome woman.

She was not young, as I remember her, but she was still handsome, tall, well-made, and though dark for an Englishwoman, yet wearing always the clearness of health in her brunette cheek, and its vivacity in a pair of fine, cheerful black eyes. People esteemed it a grievous pity that she had not conferred her complexion on her son, whose eyes were blue—though, even in boyhood, very piercing— and the colour of his long hair such as friends did not venture to specify, except as the sun shone on it, when they called it golden.

He inherited the lines of his mother’s features, however; also her good teeth, her stature (or the promise of her stature, for he was not yet full-grown), and, what was better, her health without flaw, and her spirits of that tone and equality which are better than a fortune to the possessor.

In the autumn of the year —— I was staying at Bretton; my godmother having come in person to claim me of the kinsfolk with whom was at that time fixed my permanent residence. I believe she then plainly saw events coming, whose very shadow I scarce guessed; yet of which the faint suspicion sufficed to impart unsettled sadness, and made me glad to change scene and society. ...

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